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| from: Artisan Entertainment |
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Features:
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NTSC
Sales Rank: 682; Release Date: 20 February, 2001; Media: VHS Tape; Theatrical Date: 04 June, 1999; MPAA Rating: G (General Audience)
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| Customer Reviews |
Average Rating:
Rating: - Great music - Disappointing film
Can you imagine someone making a documentary about Beethoven and constantly interrupting his symphonies to have a talking head make numerous comments? To interrupt such magic as heard and performed in this film is just as sacrilege. There is a particular mood to Cuban music that lifts you up and puts you in another state. You are lost in movement and colour. You become a drum, a trumpet, a guitar. You get out of your chair and dance and hug the air. Then like some incessant commercial break you are jarred back into reality. It's SO annoying! Not to mention that it's hard to really listen to what they are saying when there are still traces of clouds in your brain (ever try to follow a conversation when you're drunk or high?). Don't get me wrong, I love the interviews, and the scenery and the whole flavour of this film! I just would have preferred it if Wenders had paid tribute to these performers by letting the music speak its language, then separately, at the beginning or the end, tacked on the interviews and other stuff. Or at least let two or three songs play through at a time. I know, there's always the CD one can listen to all the way, but the energy cast off by these performers as you watch them is integral to the music. That's why people go to see live performances. I'm looking forward to seeing the DVD and hearing the commentary but my dream DVD would have the music and other stuff separate. I know I'm a perfectionist but when one is nearing an epiphany, it's a harsh thing to have it tugged out of your grasp.
Rating: - A great insight into Cuba and it's great music masters
I discovered this group, watching a video of them in my cousin's house, the cinematography is great, particularly showing the beauty of Cuba and Habana, it looks like a beautiful city caught in a time warp: Vintage cars that are well maintained past their useful life with everything running, in the backdrop of paltatial buildings of old architecture and the ocean. It showcases the revival of Cuban music from the Mainland to the audiences of US, Holland and the world. It starts as a project by an American guitarrist of great renown Ry Cooder visiting Cuba in Search of this musicians, they first showcase, a Cuban crooner very reminiscent of Nat King Cole named Ibrahim Ferrer and we go into his home and shares stories about his life, loves and music, and they go through each member of Buena Vista Social Club, which was a nightclub showcasing Cuban music and becomes a musical group in its new formation made up other great Cuban legends: Compay Segundo, Ruben Gonzalez, Eliades Ochoa and great Cuban songstress Omara Portuondo. They show session and rehearsal work with Ry Cooder, their shows in Amsterdam and New York Carnegie with Ry Cooder as one of the guest musicians, and it is very uplifting their simple demeanor of this musicians and awe and wonder of New York City, and their deserved sell out audience at Carnegie Hall, and this shows that maybe they are not so different from us, in spite of our difference in politics from them.
Rating: - Buena Vista: A Must See Documentary
Like most lovers of Latin music, I loved the CD. But as hard as it may be to believe, the video tops it. (A meaningless comparison, of course -- both are great.) Without the music the film would not exist, but Wim Wenders turns this wonderful collection of Cuban classics into visual treat. The director captures every tender moment in such a way that takes the viewer from the political-cultural climate of Cuba through the personal-familial moments of each and every member of the Buena Vista Social Club band. The viewer comes away from this visual-musical treat longing to hug every musician in the film. The film underscores -- without trying -- that music transcends politics; that people are just people. Congratulation to Ry Cooder, Wim Wenders and all the fine Cuban musicians that made this film possible!
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