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VHS Videos: The Man Who Shot Liberty Valance Video

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from: Paramount


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    Sales Rank: 2,842; Release Date: 07 April, 1998; Media: VHS Tape; Theatrical Date: 22 April, 1962; MPAA Rating: Unrated

     

  • Customer Reviews
    Average Rating: 4.67 out of 5 stars

    Rating: 5 out of 5 stars - Tragedy John Ford Style
    My favorite Western. An endlessly fascinating and tragic look at the American West, the evolution of legends, the nature of courage, the nature of love plus John Wayne and Jimmy Stewart too. Not to mention a snarling Lee Marvin as the villian Libery Valance

    When this movie came out, some critics complained that Wayne and Stewart were too old for their roles. Critics also complained that the film looked studio bound. Later critics made much of the cynical newspaper publisher at the end of the movie who says "This is the west, sir. When the legend becomes fact, print the legend." Through the lens of 60's anti-heroism, these critics saw Ford's film as being about the debunking of all heroic American legends.

    Director John Ford knew exactly what he was doing. He eschewed the grand expanses of Monument Valley for the cramped back lot. He chose Wayne and Stewart because they were icons of the brave action hero and the law abiding community leader. He made these choices because he was making a stylized dirge to a frontier west where the code of facing your rival directly with a Colt .45 had given way to the complications of lawyers and lawbooks.

    After countless viewings of this movie, I am not so sure Ford was being all that cynical, either. At least not in the way the debunkers want to make him out to be.

    To me, the heart of this movie is an ultimate act of tragic romantic heroism and not cold political cynicism. The critics who focus on lawyer Stewart's physical confrontation with the villian, Libery Valance, and Stewart's later rise to political fame shortchange the second major conflict in the film.

    Can a cowardly act ever be courageous? For Liberty Valance also tells the story of a man of honor who loves a woman very, very much. And then, one day, she asks him to do that one thing that goes against his own moral code. He thought he was strong enough to live with it.



    Rating: 5 out of 5 stars - When the Legend becomes Fact, Print the Legend
    This movie has all the ingredients of a great Western; John Ford Directing, John Wayne and Jimmie Stewart acting, and an excellent story line. The first time I saw this movie I was impressed but it wasn't until I saw it again years later that I truly began to appreciate the greatness of this movie. The initial attention is drawn to the irony of misguided credit for the film's title; the man who shot Liberty Valance. However, repeated viewing gives the audience an appreciation of just how artisticly this story is developed. A mistake of history credits the wrong man with the killing of a ruthless outlaw who terrorizes the otherwise peaceful community of Shinbone. The lives of two men go in opposite directions as a result of this mistake. The movie benefits from excellent casting as well as direction. The first excellent development was the casting of Wayne as Tom Donophan who portays the hero who drifts into obscurity. Wayne's powerful on-screen character shows a character whose fall is that much greater from the loftiness the Duke brings to the role. Conversely, Stewart's character, Ransom Stoddard, is a sort of Casper Milquetoast with a law degree whose ascendance is that much more unlikely. Lee Marvin is an excellent villain and Ford completes the casting with his usual complement of talented role players. The subtle imagery that permeate this picture makes subsequent viewing nearly as enjoyable as the initial one. Ford leaves us with an appreciation that greatness is not what it seems. After I came to appreciate the fullness of the director's message, I have not been to a funeral of an elderly person without thinking over the characters in this film. How will we be perceived when we're gone? What incidents in our lives altered how we are perceived? All of us possess some elements of Ransom Stoddard AND Tom Donophon in our lives but it is left to those who tell our story to determine how much of each the public perceives.



    Rating: 4 out of 5 stars - I'm Really Not a Fan of Westerns, But............
    John Ford's "The Man Who Shot Liberty Valance" is a marvelous movie, regardless of how you feel about Westerns. This isn't a movie about outlaws, or something violent, but a study of the fight between old and new in our society. John Wayne's rugged cowboy represents the old, untamed west. Jimmy Stewart's refined and educated lawyer represents the order and civilized nature of a new west. Both clearly love the land they live on in different ways, and when the time comes to protect the people of the west from the evil Liberty Valance (played to perfection by Lee Marvin), they team up to save the day. In the end, Stewart's way of life, the way of progress, wins out. However, as can be seen by the memories the major characters have at the start of the film, the old west never really dies. The movie is just brilliant, with all the leads in top form, especially the forgotten Vera Miles as the woman both Wayne and Stewart love.

     



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